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Prompting guide

How to prompt MiniMax H3 Image

How to prompt MiniMax H3 Image: describe the whole picture, quote exact text, and edit or combine images by saying what stays, with prompts to copy.

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Quick start

Your first great MiniMax H3 Image prompt

Everything a beginner needs in one minute: what to know first, the rules that matter most, a template to fill in, and prompts to copy.

What to know first

MiniMax H3 Image was built to read a long, complete English description of the finished picture: the subject and its details, where it is, how it is framed, the light, the colors, the medium, and any words in it, in quotes. A short prompt still makes a good image, but on Mage nothing lengthens it for you, so every detail you leave out is the model's guess. The same model edits: upload images, then say what to keep from each one, what changes, and what the finished image looks like. Size and shape are settings.

The rules that matter most

  1. Describe the whole image

    Cover the subject and its details, the setting, the composition and viewpoint, the light, the colors, and the medium, in connected sentences, the way a careful caption describes a finished photograph or painting.

  2. Say where everything is

    Give each element its place in the frame: on the left, in the lower right corner, in the foreground, behind her. Positions and counts you write are followed closely; the ones you leave out are guessed.

  3. Quote every word that appears

    Put text in double quotes, exactly as it should read and in its own language, with where it sits and how it looks: a brass plaque on the door reads "ROOM 214" in engraved capitals.

  4. For an edit: keep, change, then the result

    First list what must stay the same in each image, including any text in it. Then say what changes. Then describe the finished image as a whole.

  5. Name images by their number

    Uploads are @image1, @image2, and so on; saved Characters and References are their @handle. The model reads them all as image 1, image 2, in that order, so writing "image 2" yourself works too.

Fill in this template

Replace each part in square brackets with your own idea, and leave out a part you do not need.

Template
The image is [a medium, seen from a viewpoint] of [the main subject and its details]. [Where it is, and what surrounds it]. [Each other element, with its place in the frame]. [Any words, in double quotes, with where they sit and how they look]. The lighting is [its source, its direction, and what it falls on]. [Colors, texture, and finish].
The template, filled in
The image is a close, slightly high-angle 35mm photograph of an elderly watchmaker in a green canvas apron, a loupe pressed to his right eye, lifting a tiny brass gear with steel tweezers above an open pocket watch. He sits at a cluttered oak bench in a narrow repair shop, with shelves of wall clocks behind him. On the left of the bench, sorted screws fill a row of small glass dishes; on the right, a gooseneck lamp bends low over his hands. A card propped against the lamp reads "BACK IN 5 MINUTES" in faded blue ink. The lighting is the lamp's warm, narrow pool from the upper right, falling on his hands and leaving the clocks behind him in soft shadow. Brass and walnut tones against deep green, with fine film grain.
  • [a medium, seen from a viewpoint] What kind of picture it is and where we look from: an eye-level 35mm photograph, an overhead watercolor, a low-angle 3D render.
  • [the main subject and its details] Who or what it is about, with what we can see: clothing, materials, pose, expression, and which way they face.
  • [Where it is, and what surrounds it] The setting and the time: a narrow repair shop, with shelves of wall clocks behind him.
  • [Each other element, with its place in the frame] Everything else, placed in words: on the left of the bench, in the lower right corner, far in the background.
  • [Any words, in double quotes, with where they sit and how they look] The exact text and its look: a card propped against the lamp reads "BACK IN 5 MINUTES" in faded blue ink. Leave it out for no text.
  • [its source, its direction, and what it falls on] One main light, described plainly: a gooseneck lamp from the upper right, a warm narrow pool on his hands.
  • [Colors, texture, and finish] The palette and the surface of the picture: brass and walnut against deep green, fine film grain.

Prompts to start from

  • A photograph, described corner to corner

    The image is an eye-level photograph of a fish market stall at dawn, seen across a wet concrete floor. Behind a steel counter heaped with crushed ice, a broad-shouldered fishmonger in a yellow rubber apron and a gray knit cap holds up a large silver salmon in both hands, facing the camera with a tired half-smile. On the ice in front of him lie neat rows of mackerel on the left, a pile of pink prawns in the center, and three whole octopuses on the right, each row marked with a small white plastic tag. A chalkboard hanging above the stall reads "TODAY'S CATCH" in white capitals. Behind him, a roll-up door opens onto a gray harbor with fishing boats at their moorings. The lighting is cold blue daylight from the open door mixed with a warm bulb over the counter, so the ice glitters and the scales shine. Muted blues and grays with bright yellow and pink accents, sharp detail, natural skin texture.

    Why it works: It opens with the kind of picture and the viewpoint, gives each row of fish its place, quotes the sign, and names both lights by their sources, so nothing is left to guess.

  • A poster with several lines of text

    The image is a vertical screen-printed poster for a night market. The top third is deep navy with three lines of tall cream letters, stacked and centered: "RIVERSIDE", "NIGHT", and "MARKET". Below them, a hand-drawn illustration fills the middle: a row of food stalls under strings of round paper lanterns, steam rising from woks, small figures queuing in front. Along the bottom, on a mustard-yellow band, one line of small black capitals reads "FRIDAYS · 6 PM TO MIDNIGHT · PIER 9". Two-color print look with slight ink misregistration, visible paper grain, and a thin cream border around the whole poster.

    Why it works: Each line of the title is quoted on its own and the layout runs top to bottom, so every word lands where it should. Pick a tall aspect ratio in the settings.

  • An edit that says what stays

    Keep everything in @image1 the same: the brick storefront, the green door, the bread in the window display, the woman standing in the doorway with her face, hair, and clothes, and the gold lettering "BAKERY" on the window. Only the season and the chalkboard change. Snow now covers the sidewalk and the window ledge, and a string of warm white lights hangs along the top of the window. The chalkboard by the door now reads "HOT CIDER" on one line and "$4" on the line below. The target image is the same eye-level photograph of the bakery front on a snowy winter evening, the window glowing warm against blue dusk, with soft snow falling in front of the door.

    Why it works: Upload the photo first. The prompt lists what must not change, quoting the lettering on the window, names the two changes, and ends with the whole finished image, the order MiniMax's own edit prompts follow.

  • Furnish an empty room from photos

    Use the empty room in @image1 as the setting and keep its walls, windows, wooden floor, and afternoon sunlight exactly as they are. Furnish it as a living room with the pieces from the other images, each kept exactly as in its photo: the green velvet sofa from @image2 against the back wall under the windows, the round jute rug from @image3 on the floor in front of it, the brass floor lamp from @image4 to the left of the sofa, and the potted olive tree from @image5 in the right corner. The target image is a photograph of the furnished room from the same viewpoint as @image1, sunlight from the windows falling across the rug and casting soft shadows of the sofa and the tree onto the floor.

    Why it works: Each upload has one role and one place, the room keeps its own light, and the last sentence makes the new pieces sit in that light. Upload the room first and match the aspect ratio to it.

Advanced

Advanced MiniMax H3 Image prompting

Techniques for more control once the basics work.

Structure: one complete description

Write the prompt as one flowing description of the finished picture, in English, in roughly this order: what kind of image it is and where we look from; the main subject with its visible details; the setting; every other element with its place in the frame; any text; the light; then the colors and the finish. MiniMax's own example prompts run to a few hundred words, and a description that long is read whole.

Content comes first, style after. Decide what is in the picture and where, then say how it looks. Replace mood words with what makes the mood: not "cozy" but a low lamp, a wool blanket, and rain on the window.

  • Open with "The image is…" and the kind of picture: "The image is an overhead photograph of…", "The image is a flat vector infographic about…".
  • Keep counts and sides as you mean them: "three lanterns", "the taller man on the left". Name only the people you want; for a crowd that should stay in the background, write "small figures in the distance".
  • Say which way each person faces in the frame: toward the camera, in left-facing profile, seen from behind, in a three-quarter view. "Looking toward the door" alone leaves the body to chance.
  • For hands and contact, say which hand holds or touches what: "her right hand rests on the dog's back; her left holds the leash".
  • There is no negative prompt. Describe what should be there instead of what should not: "a clear, empty sky" rather than "no birds".

Posters, infographics, and diagrams

For anything made to be read, such as a poster, a menu, a product sheet, an infographic, or a screen, plan the layout before you write. Split the canvas into areas in reading order (title, subtitle, main picture, side panel, row of cards, footer) and give each one its position, its exact words, and what it shows.

Name what each area really contains. "Icons" or "some details" gives the model nothing to draw; "three round icons for sun, water, and soil, each with a one-word label below" does.

  • For a diagram or a process, keep to a few large numbered steps joined by thick arrows, and say where each arrow starts and ends.
  • For a chart, give the title, the axis labels and units, the legend entries, and the values.
  • For two views of the same thing, such as a floor plan beside a render or a map beside a scene, list the same objects in both and keep them in the same places.
  • Choose an aspect ratio that suits the piece: tall for a poster or a cover, wide for a banner or a slide.

An infographic, area by area

The image is a clean flat-vector infographic on an off-white background, titled "HOW A SEED BECOMES A TREE" in bold dark-green capitals across the top. Below the title, four large numbered panels run left to right, joined by thick green arrows: panel 1 shows a brown seed in soil, labeled "1 SEED"; panel 2 a pale sprout with two leaves breaking the surface, labeled "2 SPROUT"; panel 3 a thin sapling with a few branches, labeled "3 SAPLING"; panel 4 a full oak tree with a wide crown, labeled "4 TREE". Under each panel, a small gray caption gives the time: "WEEKS", "MONTHS", "YEARS", and "DECADES". Along the bottom, a light-green strip holds three round icons with one-word labels: a sun, "LIGHT"; a water drop, "WATER"; and a trowel, "SOIL". Flat colors, generous white space, no drop shadows.

Why it works: The canvas is planned top to bottom, every panel has a number, a picture, and its exact label, and the arrows run one way between named panels.

Text in the image

MiniMax H3 Image renders text well, from one word on a mug to signs and posters with several lines. Put every word in double quotes, exactly as it should read, and keep what you say about it outside the quotes: a sign that reads "OPEN", in red neon script.

For text on several lines, quote each line on its own and say how the lines stack: a shop window painted with three lines, "FRESH", "FLOWERS", and "DAILY", one above the other in white brush script. Keep the words in their own language and script inside the quotes; English and Chinese both render well.

  • Say where the text sits and how it looks: the lettering style, the color, the size, and what it is printed, painted, or carved on.
  • Write the real words, never a placeholder such as "a catchy headline": the model draws what is in the quotes.
  • When you edit an image that has text in it, quote that text in the list of what stays, or it may change.
  • Spell out longer copy, such as a menu or a price list, in full. Any word you leave out is invented.

Uploads, Characters, and References

Upload images as the Image and the Additional Images, and mention saved Characters and References (outfits, locations, poses, objects) by their @handle. The model sees all of them as one numbered list: your uploads first, then Characters, then References, each in the order you first mention it.

Before the model reads the prompt, Mage turns each mention into its number: @image2 becomes "image 2", @nina becomes "character from image 3", and @trench-coat becomes "outfit from image 4". So you can also write "image 2" yourself, and the model's own label, <Picture 2>, means the same image.

Give every image one role in words, and say what to take from it: the face and hair from one, the coat from another, the room from a third.

  • Tie a name to a Character once, as in "Nina (@nina)", and write Nina after that. Each repeated mention pastes "character from image 3" into the sentence again.
  • Never write "the reference" or "the photo I uploaded": name the image by its number.
  • A face holds when the person is attached as a Character or an image. A description alone gives a lookalike at best.
  • An @ followed by letters is always read as a handle, so write email addresses and social handles without it. A handle you have not saved stops the generation before it is charged.

Your Character in a saved outfit

Nina (@nina) wears @trench-coat and waits at a tram stop on a rainy night, holding a clear umbrella in her left hand and looking down the street toward the right edge of the frame, her body in a three-quarter view. Keep her face, hair, and the cut, color, and buttons of the coat exactly as in their images. The image is an eye-level 50mm photograph: behind her, a passing tram blurs into streaks of amber window light, and the wet cobblestones reflect a red traffic signal. Cool blue night tones with warm highlights, fine rain visible against the lights.

Why it works: The name is tied to the handle once, the coat comes from a saved Reference, what must match comes before the new scene, and her pose is given against the frame. Swap in your own handles.

Edits: keep, change, then the result

With images uploaded, the prompt is an edit, and it works best in three parts, in order. First, what stays: name the image and list everything that must not change, as specifically as you can, such as faces, clothing, objects, the layout, the light, and any text, quoted. Second, what changes, said plainly. Third, the finished image described as a whole, starting with "The target image is…".

The last part matters more than it looks. Describing the result tells the model how the change sits in the picture: where the light falls on it, what it casts or reflects, and what it hides.

When you remove something, say what fills the space: "the bookshelf is gone, and the plain white wall behind it continues to the corner". When you change part of something, say what remains: "his face, sweater, and watch stay; only his pose changes".

  • Match the aspect ratio to the image you edit. A different shape makes the model reframe the scene to fill it.
  • A long keep list is normal: MiniMax's own edit prompts name every object, sign, and face that must not move.
  • For a new pose, give it in full: which way they lean, where each hand goes, and what touches what.
  • Keep the Seed fixed while you refine the wording, so each change you see comes from the words.

A product moved to a new setting

Keep the ceramic teapot from @image1 exactly as it is: its pale blue glaze, the crackle pattern on the lid, the bamboo handle, and the small stamped mark "KILN 7" on its side. Only the setting changes. The plain white studio background becomes a weathered wooden table by a window, with a folded linen napkin and two small cups to the right of the teapot. The target image is a soft-lit product photograph: morning light from the window on the left falls across the teapot, leaving a gentle highlight on its glaze and a long soft shadow to the right across the table.

Why it works: The stamped mark is quoted in the keep list so it survives, the change takes one sentence, and the result tells the model how the new light meets the old object.

Combining many images

MiniMax H3 Image can build one picture from many images at once: an empty room and a set of furniture photos composed into a living room, or a cast of Characters placed in one scene. The more images you add, the more it helps to name each one before you describe the scene.

The model's own long form does this with labels. Define each thing you take ("The green velvet sofa in image 2 is <Subject 2>."), then write one sentence starting with "The target image" that sums up the result, then one short sentence per label saying how much of it to keep, then the new details. Once a label is fully preserved, refer to it only by its label.

  • Label the part you use, not the whole image, when you take one thing from a busy photo: the lamp, not the room it stands in.
  • With only two or three images, plain words work as well: "the sofa from @image2 against the back wall".
WriteWhat it does
The woman in the red coat in image 1 is <Subject 1>.Gives one thing from one image a label to use for the rest of the prompt.
The target image shows…Opens the one sentence that sums up the finished picture.
<Subject 1> is fully preserved.Keep it exactly as it is. Give each label its own sentence.
<Subject 1> is partially preserved;Keep some of it, then say what changes: "her face and coat remain, while she now sits on the steps".
<Subject 1> supplies the exact color transferred to <Subject 2>.Take one quality, such as a color or a material, and put it on something else.
<Subject 1> serves as a weak style referenceA loose guide: borrow the feel, not the details.

Two Characters and a saved location

Mara (@mara), the woman with short silver hair, is <Subject 1>. Jonas (@jonas), the tall bearded man, is <Subject 2>. The round-windowed kitchen (@lighthouse-kitchen) is <Subject 3>. The target image shows <Subject 1> and <Subject 2> at breakfast in <Subject 3>. <Subject 1> is partially preserved; her face, hair, and clothes remain, while she now sits at the left end of the table facing the camera, holding a mug in both hands. <Subject 2> is partially preserved; his face, beard, and clothes remain, while he now stands at the stove on the right in left-facing profile, flipping a pancake. <Subject 3> is fully preserved. A plate stacked with pancakes sits in the middle of the table with steam rising from it, and soft morning light falls across both of them from the left.

Why it works: Each mention appears once, beside its label, every label gets its own sentence saying how much to keep, and the new details come last.

Turning one kind of image into another

An edit can change what kind of picture an image is while keeping what is in it: an untextured 3D render into a photoreal film still, a sketch or a floor plan into a finished room, a game map into a first-person view of the same world. Say what must match (the layout, the objects, their positions), name the new kind of picture, and describe how it looks.

When the viewpoint changes, say where the new camera stands in the source image and which way it looks, then list what it sees from near to far: "seen from the red arrow on the southern lake in image 1, looking north toward the waterfall and the bridge".

  • Give every surface a real material, since that is what turns a render or a sketch into a photograph: rough plaster, wet cobblestones, brushed aluminum, scuffed leather.
  • Match the aspect ratio to the source unless the new view needs another shape.

A gray 3D blockout made real

The gray untextured 3D blockout in image 1 is <Subject 1>. The target image is a photoreal film still of the same scene at dusk. <Subject 1> is partially preserved; the camera angle, the layout of the narrow street, the shapes and positions of the buildings, the arched bridge, and the two figures on it remain, while every surface gains real materials and light. The buildings are rough ochre plaster with green wooden shutters and iron balconies, and the street is worn cobblestone, still wet from rain. The bridge is old red brick with moss in its joints. The two figures become a woman in a long gray coat and a boy in a yellow raincoat, seen from behind as they cross. Warm lamplight glows from a few windows against a deep blue sky, and the wet stones reflect it. Shot on 35mm film with fine grain and a light haze in the distance.

Why it works: The keep list holds the layout and the camera, and everything after it is material, light, and finish, so the shapes stay put while the look changes completely. "image 1" written out works the same as @image1.

Photorealism, style, and LoRAs

Photorealism and fine detail are where MiniMax H3 Image shines, and they come from the specifics a photographer would note: the camera and lens (a 35mm photograph, a 100mm macro, a phone selfie with a wide lens), the light by its source and direction, and the materials, such as worn leather, wet stone, or chipped enamel. Words like "ultra realistic", "8K", or "masterpiece" add nothing a precise description does not.

It paints and draws too. Name the medium exactly, such as a light watercolor, an oil painting with thick brushstrokes, a fine-line ink painting, pixel art, a tarot card, or a stylized 3D render, and describe the subject in that medium.

For a look the base model does not have, add a MiniMax H3 Image LoRA under Model. It starts at a strength of 1; lower it if the style takes over the subject, and put its trigger words in the prompt if its page lists them.

  • Give the light one main source and a direction: "low sun from behind her, rimming her hair in gold".
  • Surreal ideas work best described as if photographed for real: a gardener watering a lamp post that has sprouted leaves, lit like a magazine portrait.

Settings: what there is, and what there is not

MiniMax H3 Image is tuned to finish in six steps with its guidance built in, so there are no Steps, Guidance Scale, or negative prompt settings. The prompt does all the steering.

Aspect Ratio and Resolution set the size and shape; words such as "16:9" or "4K" in the prompt do nothing useful. Choose the shape first, then describe a composition that fits it.

The Seed fixes the starting noise. With the same Seed and settings, change one sentence at a time to see what each sentence does.

  • Leave Prompt Enhance off. It adds random words to the end of your prompt, which a full description does not need.
  • Leave the Prompt Filter on Empty when your prompt names its own style.

Common mistakes

Avoid this, do this instead

  • Avoid: A short list of keywords.

    old fisherman, boat, sunset, realistic

    Instead: A full description of the whole picture: nothing on Mage lengthens it for you.

    The image is a low-angle photograph of an old fisherman with a white beard and a faded orange oilskin coat, coiling a wet rope in the stern of a small wooden boat. The boat sits in a calm harbor at sunset, other boats moored behind him. The lighting is the low sun behind him, rimming his beard and the rope in gold. Deep blue water, warm orange sky, sharp detail.
  • Avoid: An edit that names only the change.

    make it winter

    Instead: What stays first, then the change, then the finished image.

    Keep the house, the fence, the car in the driveway, and the house number "42" exactly as in @image1. Only the season changes. The target image is the same photograph on a winter morning: snow on the roof, the lawn, and the car, bare trees, and pale low sunlight from the right.
  • Avoid: Placeholder text: "a sign with a funny slogan".

    A food truck with a funny slogan on the side.

    Instead: The real words, in double quotes.

    A food truck with "TACOS FIRST, QUESTIONS LATER" painted along its side in fat red letters.
  • Avoid: "The reference" or "the photo I uploaded".

    Instead: The image by its number, and what to take from it.

  • Avoid: Removing something without saying what takes its place.

    Instead: The space described as it should look: the wall, the floor, or the sky that continues behind it.

  • Avoid: An aspect ratio different from the image you edit.

    Instead: The same shape, unless you want the scene reframed.

  • Avoid: Mood words: "cozy, epic, dreamy".

    Instead: The light, the materials, and the details that make the mood.

  • Avoid: Size and quality words: "16:9, 4K, masterpiece".

    Instead: Aspect Ratio and Resolution in the settings, and specifics in the prompt.

  • Avoid: @nina repeated in every sentence.

    Instead: Nina (@nina) once, then Nina.

FAQ

MiniMax H3 Image prompting questions

How long should a MiniMax H3 Image prompt be?
As long as it takes to describe the whole picture. A short prompt still gives a good image, but the model was made for full descriptions, and MiniMax's own examples run to a few hundred words. Nothing on Mage expands a short prompt, so what you leave out is guessed.
Does MiniMax H3 Image support negative prompts?
No. It is tuned to six steps with guidance built in, so there is no negative prompt, Steps, or Guidance Scale. Describe what should be there instead, such as "a clear, empty sky".
How do I refer to my uploaded images?
Write @image1, @image2, or simply "image 1", "image 2", in upload order: the Image first, then the Additional Images. Characters and References come after your uploads in the numbering, so mention those by @handle. The model's own label, <Picture 1>, works the same.
Can MiniMax H3 Image combine several images into one?
Yes. Upload them or mention saved Characters and References, give each one a role and a place in words, and describe the finished scene. With many images, label each one first as <Subject 1>, <Subject 2>, and so on. The model page lists how many images it takes.
Can MiniMax H3 Image write text in an image?
Yes, including signs and posters with several lines, in English and Chinese. Put every word in double quotes, quote each line separately, and say where it sits and how it looks. When editing, quote any text that must stay.
How do I keep a character consistent in MiniMax H3 Image?
Save the person as a Character and mention the same @handle in every prompt, tied to a name once. Then say what to keep: "her face, hair, and freckles exactly as in her image".
Should I write MiniMax H3 Image prompts in English?
Yes. The model expects an English description. Keep any words that appear in the image in their own language and script, inside the quotes.
Does MiniMax H3 Image work with LoRAs?
Yes. Add one under Model; it starts at a strength of 1. Lower it if it overpowers your prompt, and include its trigger words if it has any.

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